Best films on TV for Christmas and New Year 2022
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An American remake of Akira Kurosawa's classic Seven Samurai, this remains one of the most enduring Westerns ever made – helped by a superb cast that includes Yul Brynner and Steve McQueen. It concerns events after a team of elite gunmen are hired by a desperate village that has been constantly plagued by a group of hardened bandits, and famously features a musical score for the ages. Another hugely popular modern Disney musical, Moana features some brilliantly catchy tunes penned by Lin-Manuel Miranda, with highlights including You're Welcome and How Far I'll Go. Alternatively, if you’re looking for the best Christmas TV shows to watch this year, why not check out our guide.
Before you treat any of your friends badly or rebuff people trying to be friends, no matter how much of a nuisance they are, you should watch The Cable Guy. When the rapist attempts again, to invade her home this time, she manages to come out stronger and get the better of him. Her strong resolve not only helps her escape but pushes her toward revenge. Written by William Mastrosimone, Extremities was nominated for a Golden Globe award. Even worse, he learns about her disability quite fast when he brutally slaughters one of her friends trying to get into the house and she doesn't show any reaction.
The Purge - Die Säuberung
Instead of going on a murder spree to exact revenge or because they're ghosts haunting the place, they simply do it because "they were home." Lakeview Terrace is a fairly standard thriller, with an escalating tension that just about strains credibility. Samuel L. Jackson portrays LAPD cop Abel Turner, a single father who's just gotten some new neighbors. Unfortunately for him and his worldview, his new neighbors are a mixed-race couple. After they make out in a pool and his kids see, Abel begins acting irrationally, though he's obviously not quite rational from his first frame on screen. The family film lampoons the element of home invasion, which is more common in thriller films.
Dalle's deranged character breaks into the home of a heavily pregnant woman with one intention--cutting the baby out of her. What follows is an incredibly intense and unpredictable experience, as directors Julien Maury and Alexandre Bustillo crank the tension to nearly unbearable levels. The fact the whole movie is set on Christmas Eve makes it even worse/better.
the review
Lock all the windows and doors and turn on all the lights because we have compiled a list of the best home invasion movies of all time. Ty is an Australian writer who enjoys horror movies, listening to the same bands he did fifteen years ago, and all the dogs. Werewolf movies are sadly underrepresented when compared to zombies and vampires, but Dog Soldiers is one of the best in the genre. Its mix of blood-soaked set pieces and dark comedy calls Evil Dead to mind, and its crew of motley soldiers includes familiar faces Sean Pertwee and Liam Cunningham .
One of the ways in which Rosemary’s Baby maintains its status as one of the scariest movies of all time is in how it depicts a home invasion. The only film on this list to launch a lucrative franchise, The Purge was a surprise hit for the 2013 movie landscape. Without erasing anything that’s been developed in the name of being shocking, Panic Room is one of the definitive examples of how the greatest thrillers really don’t stop for much of anything. Hider in the House is a little on the convoluted side, as it involves a man who decides after being let out of an institution to move into the attic of a new home. You don’t have to be complicated to be one of the best home invasion movies.
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May have minor damage to jewellery case including scuffs or cracks, or to the item cover including scuffs, scratches, or cracks. See the seller’s listing for full details and description of any imperfections. A tense and low-budget thriller, Suddenly is an entertaining and well-acted tale of suspense. In most instances the perpetrator’s intention is to cause psychical or psychological violence. Through evolution, we have ingrained the image of our home being our safe-haven, a place to where we can retreat and feel protected from the outside world. But if cinema has taught us one thing, it is to never rest on our laurels.
Every year there are endless arguments about whether Die Hard is a Christmas film, but whatever side of the argument you sit on, there's one thing that can't be denied – it's an absolutely terrific action flick. Bruce Willis is on fine form as New York cop John McClane, who is forced to defend his estranged wife's LA office building when German terrorists led by criminal mastermind Hans Gruber attack. Full of brilliant action and even better dialogue, it's deservedly regarded as a bonafide classic. There will likely always be some debate about which of Daniel Craig's outings as 007 is truly the best – but whichever way you spin it, Skywall will never be far from the top of the list.
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It also adheres quite a bit to both the story beats and style of the 1962 film, led by Robert Mitchum and Gregory Peck (both of whom make role-reversed cameos in Scorsese's remake). There is some incisive social commentary in this story, as well as some of the most infuriating instances of dark comedy in recent memory, but the movie still relies heavily on creating a nightmare situation. What the movie builds to by its second half is very much in the tradition of the relationship between home invasion movies and the horror genre. Naturalistic, unappealing, and pitiable performances dominate a movie that often feels like a documentary. This was certainly Craven’s intention with this loose remake of Ingmar Bergman’s The Virgin Spring.
James DeMonaco, the writer and director, didn’t intend for a home-invasion setting when he first dreamed up the concept, but the constraints of a $3-million budget forced his hand. Considering its low budget, The Purge did very well in the box office, and the franchise has grossed over $446 million. This one came out at the tail end of the so-called Torture Porn era, and so it’s distinguished by elaborately constructed acts of violence that result in lots and lots of bloodshed. The Collector follows a burglar who thinks he’s scored big at a fancy house, but upon entering, the thief realizes it’s been wired for terror by a psychotic masked killer keeping the family hostage inside. This landmark movie in terms of blending live-action animation imagines a world where cartoons are real and living in Los Angeles, filming their animated shorts like actors would a regular movie. A stylish, silly, and sometimes scary homage to film noir, Who Framed Roger Rabbit pairs a joyful-but-dimwitted toon with Bob Hoskins' boozy, hardscrabble P.I.
A woman advertising for a new roommate finds that something very strange is going on with the tenant who decides to move in. A married man's one-night stand comes back to haunt him when that lover begins to stalk him and his family. A convicted rapist, released from prison after serving a fourteen-year sentence, stalks the family of the lawyer who originally defended him. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff's place.
Cape Fear offers a layered, sexually disconcerting revenge story that also sweeps up Sam’s wife and daughter . This is a home invasion story that takes a truly multifaceted approach to what constitutes a home in the first place. Remaking a classic 1962 suspense thriller featuring Gregory Peck and Robert Mitchum was a surprising move for Martin Scorsese.
No matter how many times you've seen it before, this remains a raucous laugh riot that should definitely get you in the festive spirit. When a successful obstetrician commits suicide after accusations of sexual assault, his wife takes revenge on the first victim to have come forward, Claire Bartel . Mrs. Mott miscarries upon hearing the news of her husband’s suicide and blames Bartel for losing her baby.
Her Janis is a contradictory but all-too-credible mix of determination and vulnerability. She is flawed and flighty and fallible, and arguably pretty evil, but it is impossible to hate any character played by Cruz, and she is never less than compelling. Even just watching her face as she reacts to information she’s reading on a computer screen is captivating. As if a home invasion isn’t scary enough, in Hush, the protagonist Maddie is a deaf-mute who is being stalked in her home by a masked killer with a crossbow.
The film picks up pace like a horse in a race from that point onward and maintains its momentum right till the volatile ending. As mentioned earlier the film works mainly because of the effortless manipulation of the grey shaded protagonist who is extreme both in his affections and hatred. The film starts on a personal note with tension mounting up within a couple due to a proposal gone wrong. As they say troubles never come alone, their evening of fun was just about getting started.
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